Cybele 360401 1999

16bit 44.1kHz Stereo New music Classical modernism Contemporary music 1:02:25

To the description

Harmonies and Counterpoints between Germany and America

Contributors

Wolpe-TrioLesley OlsonScott RollerCellistSusanne AchillesPianist

Composers

Dietrich Hahne · Erik Lund · Manfred Stahnke · Scott Roller · Stefan Wolpe

Short description

Harmonies and Counterpoints between Germany and America – works by Stefan Wolpe, Erik Lund, Dietrich Hahne, Scott Roller and Manfred Stahnke. The Wolpe-Trio pursues musical connections between Germany and America. Emigration, post-war modernism and more recent transatlantic perspectives are reflected in works whose gestural power, contrapuntal density and colourful playing techniques redefine this unusual scoring again and again. Wolpe-Trio – Lesley Olson, Scott Roller, Susanne Achilles combines stylistic precision with vivid shaping of sound. The production renders scoring, articulation, dynamic range and spatial effect in fine gradation and draws the works together into a coherent album.

Details

Format
CD

Resolution
PCM 44,1 kHz / 16 Bit

Total playing time
62:25

Channels
Stereo

Scoring
Flute, cello, piano, chamber music

Performers
Wolpe-Trio – Lesley Olson, Scott Roller, Susanne Achilles

Programme
Harmonies and Counterpoints between Germany and America – works by Stefan Wolpe, Erik Lund, Dietrich Hahne, Scott Roller and Manfred Stahnke

Specifications

Catalogue number
Cybele 360401
Year of release
1999
Genre
New music
Period
Classical modernism, Contemporary music
Instrumentation
Flute, Chamber music, Piano, Cello
Label
Cybele Records
Barcode
809548003821
GTIN
4068992494470
Booklet (pages)
32

Track listing

14 tracks · 1:02:25

  1. 01 Fourtunes (1992) – I Composer: Dietrich Hahne (1961-) Performer: Wolpe-Trio 6:13
  2. 02 Fourtunes (1992) – II Composer: Dietrich Hahne (1961-) Performer: Wolpe-Trio 3:08
  3. 03 Raccontini (1996) Composer: Erik Lund (1958-) Performer: Wolpe-Trio 11:28
  4. 04 Trio in two parts (1963-64) for Flute, Cello and Piano – I Composer: Stefan Wolpe (1902-1972) Performer: Wolpe-Trio 13:01
  5. 05 Trio in two parts (1963-64) for Flute, Cello and Piano – II Composer: Stefan Wolpe (1902-1972) Performer: Wolpe-Trio 5:39
  6. 06 Trio Set (1993) für Altflöte, Violoncello und Klavier – I. Gazes Composer: Scott Roller (1959-) Performer: Wolpe-Trio 3:37
  7. 07 Trio Set (1993) für Altflöte, Violoncello und Klavier – II. Metabop Composer: Scott Roller (1959-) Performer: Wolpe-Trio 2:34
  8. 08 Trio Set (1993) für Altflöte, Violoncello und Klavier – III. Warlocks Composer: Scott Roller (1959-) Performer: Wolpe-Trio 2:46
  9. 09 Trio Set (1993) für Altflöte, Violoncello und Klavier – IV. Stages Composer: Scott Roller (1959-) Performer: Wolpe-Trio 2:49
  10. 10 Ritus (1979) – I Composer: Manfred Stahnke (1951-) Performer: Wolpe-Trio 3:19
  11. 11 Ritus (1979) – II Composer: Manfred Stahnke (1951-) Performer: Wolpe-Trio 1:20
  12. 12 Ritus (1979) – III Composer: Manfred Stahnke (1951-) Performer: Wolpe-Trio 3:08
  13. 13 Ritus (1979) – IV Composer: Manfred Stahnke (1951-) Performer: Wolpe-Trio 1:56
  14. 14 Ritus (1979) – V Composer: Manfred Stahnke (1951-) Performer: Wolpe-Trio 1:27

Description

Harmonies and Counterpoints between Germany and America – works by Stefan Wolpe, Erik Lund, Dietrich Hahne, Scott Roller and Manfred Stahnke. The Wolpe-Trio pursues musical connections between Germany and America. Emigration, post-war modernism and more recent transatlantic perspectives are reflected in works whose gestural power, contrapuntal density and colourful playing techniques redefine this unusual scoring again and again.

The extensive booklet places the works in their biographical, historical and aesthetic context. It shows the traditions from which the music springs and how it carries existing forms, genres and ways of playing further. The order of the programme makes these relations audible without levelling out the individuality of the single pieces.

Wolpe-Trio – Lesley Olson, Scott Roller, Susanne Achilles shapes the repertoire with clear voice leading, precise articulation and a pronounced feeling for tone colour. Quiet, fragile passages keep their tension; rhythmically pointed or densely written sections remain transparent. The interpretation joins analytical care to a natural musical breath.

The scoring – Flute, cello, piano, chamber music – is part of the compositional statement. Registration, resonances, breath, bowing or touch and, where present, electronic layers all help to shape the course of the music. The recording preserves these differences and lets the interplay of individual voice, ensemble and space be followed directly.

The album is built dramaturgically as a continuous sequence for listening. Contrasts between creative periods, textures and instrumental colours sharpen the profile; recurring gestures, related formal ideas and sonic transitions create connection. What emerges is a many-layered portrait rather than a mere succession of pieces.

Even without prior knowledge of music history, Harmonies and Counterpoints between Germany and America offers a direct way in. Incisive motifs, characteristic rhythms, speaking lines and carefully placed rests lead through the music. Listen more closely and a dense web of references, transformations and interpretative decisions comes into view.

Booklet, artistic conception and recording technique combine into a typical Cybele production: repertoire off the beaten track is presented with expertise, in high sonic quality and without promotional overstatement. The presentation thus remains informative and gives the label its profile, while the music itself stays at the centre.