Cybele 260601 1999

16bit 44.1kHz Stereo New music Contemporary music 54:46

To the description

Rolf Riehm: Kompositionen für Gitarre

Contributors

Harald LillmeyerSusanne Hilker

Composer

Rolf Riehm

Streaming & download

Short description

Rolf Riehm: compositions for guitar. Harald Lillmeyer and Susanne Hilker gather works by Riehm in which the guitar stands between intimate narration, rough gesture and electronically extended sound. The music refuses decorative virtuosity and uses attack, resonance and silence as dramatic means. Harald Lillmeyer, Susanne Hilker. The recording joins a distinctive programme to precise interpretation and to a sound direction that renders instruments, articulation and spatial effect in fine gradation.

Details

Format
CD

Resolution
PCM 44,1 kHz / 16 Bit

Total playing time
54:46

Channels
Stereo

Scoring
Guitar, electric guitar, chamber music

Performers
Harald Lillmeyer, Susanne Hilker

Programme
Rolf Riehm: compositions for guitar

Specifications

Catalogue number
Cybele 260601
Year of release
1999
Genre
New music
Period
Contemporary music
Instrumentation
Electric guitar, Guitar, Chamber music
Label
Cybele Records
Barcode
809548004125
Booklet (pages)
32

Track listing

9 tracks · 54:46

  1. 01 KlageTrauerSehnsucht (1977) für zwei Gitarren Composer: Rolf Riehm (1937-) Performers: Harald Lillmeyer, Susanne Hilker 13:17
  2. 02 Notturno für die trauerlos Sterbenden (1977) für Gitarre solo Composer: Rolf Riehm (1937-) Performer: Harald Lillmeyer 5:17
  3. 03 Lamento di Tristano (1982) für zwei Gitarren – Lamento di Tristano Composer: Rolf Riehm (1937-) Performers: Harald Lillmeyer, Susanne Hilker 1:24
  4. 04 Lamento di Tristano (1982) für zwei Gitarren – Il sonno di Tristano Composer: Rolf Riehm (1937-) Performers: Harald Lillmeyer, Susanne Hilker 2:43
  5. 05 Lamento di Tristano (1982) für zwei Gitarren – Le notte di Tristano Composer: Rolf Riehm (1937-) Performers: Harald Lillmeyer, Susanne Hilker 3:22
  6. 06 Lamento di Tristano (1982) für zwei Gitarren – vuole obliare il profumo della bella di notte Composer: Rolf Riehm (1937-) Performers: Harald Lillmeyer, Susanne Hilker 3:50
  7. 07 Lamento di Tristano (1982) für zwei Gitarren – La morte di Tristano Composer: Rolf Riehm (1937-) Performers: Harald Lillmeyer, Susanne Hilker 4:02
  8. 08 Toccata Orpheus (1990) für Gitarre solo Composer: Rolf Riehm (1937-) Performer: Harald Lillmeyer 8:37
  9. 09 Au bord du jour (1996) für zwei Gitarren Composer: Rolf Riehm (1937-) Performers: Harald Lillmeyer, Susanne Hilker 12:14

Description

Rolf Riehm: compositions for guitar. Harald Lillmeyer and Susanne Hilker gather works by Riehm in which the guitar stands between intimate narration, rough gesture and electronically extended sound. The music refuses decorative virtuosity and uses attack, resonance and silence as dramatic means.

The booklet opens up the historical and aesthetic context of the programme. Works and arrangements are seen not in isolation but as part of a living history of performance and reception. This makes the decisions about scoring, instruments and order easy to follow.

Harald Lillmeyer, Susanne Hilker shapes the music with clear voice leading, supple articulation and a pronounced feeling for tone colour. Lyrical passages keep their calm and breath, rhythmically pointed sections their energy. Even in dense textures, motifs, counter-voices and formal transitions remain transparent.

The scoring – Guitar, electric guitar, chamber music – is an essential part of the statement. Resonance, registration, touch or bowing technique and the acoustics of each space all help to shape the dramaturgy. The production preserves these differences and makes both the finest gradations and the great dynamic arcs audible.

The album follows no mere chronology but a deliberately constructed logic of listening. Contrasts between periods, types of work and instrumental colours sharpen the profile of the individual pieces, while recurring gestures and related formal ideas hold them together. What emerges is a coherent portrait rather than a chance collection.

For connoisseurs, Rolf Riehm: Kompositionen für Gitarre offers a wealth of detail in compositional technique, interpretation and sound. At the same time the way in remains direct: speaking motifs, characteristic rhythms and incisive colours lead through the programme. The booklet deepens this listening experience without anticipating it.

Artistic conception and recording technique thus interlock. The result documents not only repertoire but shows how historical knowledge, interpretative imagination and careful sound direction complement one another. It is precisely this combination that gives the production its unmistakable label profile.