Cybele 350301 1998

16bit 44.1kHz Stereo Classical music Classical modernism Romantic music 50:49

To the description

Russische Klavierquintette

Contributors

Thomas LeanderPianistMinguet-QuartettEnsemble (string quartet)

Composers

Alexander Borodin · Dimitri Schostakowitsch

Short description

Russian piano quintets by Alexander Borodin and Dmitri Shostakovich. Thomas Leander and the Minguet Quartet set Borodin’s Romantic design against Shostakovich’s great quintet. Cantabile breadth, folkloristic colouring, strict fugue and sarcastic edge form a Russian double portrait. Thomas Leander, Minguet-Quartett. The recording joins a distinctive programme to precise interpretation and to a sound direction that renders instruments, articulation and spatial effect in fine gradation.

Details

Format
CD

Resolution
PCM 44,1 kHz / 16 Bit

Total playing time
50:49

Channels
Stereo

Scoring
Piano quintet

Performers
Thomas Leander, Minguet-Quartett

Programme
Russian piano quintets by Alexander Borodin and Dmitri Shostakovich

Specifications

Catalogue number
Cybele 350301
Year of release
1998
Genre
Classical music
Period
Classical modernism, Romantic music
Instrumentation
Piano quintet
Label
Cybele Records
Barcode
809548003524
GTIN
4068992491240
Booklet (pages)
32

Track listing

8 tracks · 50:49

  1. 01 Quintett für 2 Violinen, Viola, Violoncello und Klavier Op. 57 – I. Praeludium. Adagio Composer: Dmitri Schostakowitsch (1906-1975) Performers: Thomas Leander, Minguet-Quartett 3:50
  2. 02 Quintett für 2 Violinen, Viola, Violoncello und Klavier Op. 57 – II. Fuge. Adagio Composer: Dmitri Schostakowitsch (1906-1975) Performers: Thomas Leander, Minguet-Quartett 9:06
  3. 03 Quintett für 2 Violinen, Viola, Violoncello und Klavier Op. 57 – III. Scherzo. Allegretto Composer: Dmitri Schostakowitsch (1906-1975) Performers: Thomas Leander, Minguet-Quartett 3:29
  4. 04 Quintett für 2 Violinen, Viola, Violoncello und Klavier Op. 57 – IV. Intermezzo. Lento Composer: Dmitri Schostakowitsch (1906-1975) Performers: Thomas Leander, Minguet-Quartett 6:34
  5. 05 Quintett für 2 Violinen, Viola, Violoncello und Klavier Op. 57 – V. Finale. Allegretto Composer: Dmitri Schostakowitsch (1906-1975) Performers: Thomas Leander, Minguet-Quartett 7:21
  6. 06 Quintett für 2 Violinen, Viola, Violoncello und Klavier – I. Andante Composer: Alexander Borodin (1833-1887) Performers: Thomas Leander, Minguet-Quartett 4:34
  7. 07 Quintett für 2 Violinen, Viola, Violoncello und Klavier – II. Scherzo. Allegro non troppo Composer: Alexander Borodin (1833-1887) Performers: Thomas Leander, Minguet-Quartett 5:54
  8. 08 Quintett für 2 Violinen, Viola, Violoncello und Klavier – III. Finale. Allegro moderato Composer: Alexander Borodin (1833-1887) Performers: Thomas Leander, Minguet-Quartett 10:01

Description

Russian piano quintets by Alexander Borodin and Dmitri Shostakovich. Thomas Leander and the Minguet Quartet set Borodin’s Romantic design against Shostakovich’s great quintet. Cantabile breadth, folkloristic colouring, strict fugue and sarcastic edge form a Russian double portrait.

The booklet opens up the historical and aesthetic context of the programme. Works and arrangements are seen not in isolation but as part of a living history of performance and reception. This makes the decisions about scoring, instruments and order easy to follow.

Thomas Leander, Minguet-Quartett shapes the music with clear voice leading, supple articulation and a pronounced feeling for tone colour. Lyrical passages keep their calm and breath, rhythmically pointed sections their energy. Even in dense textures, motifs, counter-voices and formal transitions remain transparent.

The scoring – Piano quintet – is an essential part of the statement. Resonance, registration, touch or bowing technique and the acoustics of each space all help to shape the dramaturgy. The production preserves these differences and makes both the finest gradations and the great dynamic arcs audible.

The album follows no mere chronology but a deliberately constructed logic of listening. Contrasts between periods, types of work and instrumental colours sharpen the profile of the individual pieces, while recurring gestures and related formal ideas hold them together. What emerges is a coherent portrait rather than a chance collection.

For connoisseurs, Russische Klavierquintette offers a wealth of detail in compositional technique, interpretation and sound. At the same time the way in remains direct: speaking motifs, characteristic rhythms and incisive colours lead through the programme. The booklet deepens this listening experience without anticipating it.

Artistic conception and recording technique thus interlock. The result documents not only repertoire but shows how historical knowledge, interpretative imagination and careful sound direction complement one another. It is precisely this combination that gives the production its unmistakable label profile.

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