Cybele 660202 1998

16bit 44.1kHz Stereo New music Classical modernism Contemporary music 2:02:20

To the description

Portrait Günther Becker

Contributors

Verschiedene Interpreten

Composer

Günther Becker

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Short description

Komponistenporträt Günther Becker. Historical broadcast and studio recordings unfold Günther Becker’s output across a wide range of scorings. Orchestra, choir, chamber ensemble, piano and percussion document his path from serial organisation and the exploration of instrumental limits to an intense engagement with space, electronics and impulses from outside Europe. Various performers combines stylistic precision with vivid shaping of sound. The production renders scoring, articulation, dynamic range and spatial effect in fine gradation and draws the works together into a coherent album.

Details

Format
2 CDs

Resolution
PCM 44,1 kHz / 16 Bit

Total playing time
122:20

Channels
Stereo

Scoring
Portrait album, orchestra, chamber music, choir, piano, percussion

Performers
Various performers

Programme
Komponistenporträt Günther Becker

Specifications

Catalogue number
Cybele 660202
Year of release
1998
Genre
New music
Period
Classical modernism, Contemporary music
Instrumentation
Choir, Chamber music, Piano, Live electronics, Orchestral music, Percussion, Portrait
Label
Cybele Records
Barcode
809548002923
Booklet (pages)
28

Track listing

10 tracks · 2:02:20

CD 1

  1. 01 stabil-instabil (1965) für großes Orchester Composer: Günther Becker (1924-2007) Performers: Symphonieorchester des BR, Michael Gielen 10:39
  2. 02 Passagen (1975-76) für Sprachklänge, Tasteninstrumente, Schlagzeug und elektronische Modulationsgeräte Composer: Günther Becker (1924-2007) Performers: Gisela Saur-Kontarsky, Herbert Henck, Christoph Caskel, Raimund Jülich 22:17
  3. 03 1. Streichquartett (1963) Composer: Günther Becker (1924-2007) Performer: Parrenin-Quartett 6:43
  4. 04 Correspondances I (1966) für drei Klarinetten, Altsaxophon in Es solo und Kammerorchester Composer: Günther Becker (1924-2007) Performers: Hans Lemser, Mitglieder des Sinfonieorchesters des SWR, Ernest Bour 12:08
  5. 05 Nacht und Traumgesänge (1964) für gemischten Chor und Orchester Composer: Günther Becker (1924-2007) Performers: Symphonieorchester des BR, Rundfunkchor des BR, Andrzej Markowski 14:04

CD 2

  1. 01 Konzert (1973-74) für elektronisch modulierte Oboe und Orchester Composer: Günther Becker (1924-2007) Performers: Pierre W. Feit, Symphonieorchester des BR, Ernest Bour 15:05
  2. 02 Serpentinata (1967-68) für Bläserquintett Composer: Günther Becker (1924-2007) Performer: Danzi-Quartett 11:45
  3. 03 Fragmente aus 'Hymnen an die Nacht' (Novalis) (1979) für je einen Contratenor, Tenor und Bassbariton Composer: Günther Becker (1924-2007) Performers: collegium vocale Köln, Wolfgang Fromme 8:13
  4. 04 Scanning (1969-70) für Blechbläserquintett und zweikanaliges Tonband Composer: Günther Becker (1924-2007) Performer: American Brass Quintet 10:54
  5. 05 Caprices concertants (1968) für Zupforchester Composer: Günther Becker (1924-2007) Performers: Reinhard Froese, Landesjugendzupforchester, Karl-Heinz Keinemann 10:32

Description

Komponistenporträt Günther Becker. Historical broadcast and studio recordings unfold Günther Becker’s output across a wide range of scorings. Orchestra, choir, chamber ensemble, piano and percussion document his path from serial organisation and the exploration of instrumental limits to an intense engagement with space, electronics and impulses from outside Europe.

The extensive booklet places the works in their biographical, historical and aesthetic context. It shows the traditions from which the music springs and how it carries existing forms, genres and ways of playing further. The order of the programme makes these relations audible without levelling out the individuality of the single pieces.

Various performers shapes the repertoire with clear voice leading, precise articulation and a pronounced feeling for tone colour. Quiet, fragile passages keep their tension; rhythmically pointed or densely written sections remain transparent. The interpretation joins analytical care to a natural musical breath.

The scoring – Portrait album, orchestra, chamber music, choir, piano, percussion – is part of the compositional statement. Registration, resonances, breath, bowing or touch and, where present, electronic layers all help to shape the course of the music. The recording preserves these differences and lets the interplay of individual voice, ensemble and space be followed directly.

The album is built dramaturgically as a continuous sequence for listening. Contrasts between creative periods, textures and instrumental colours sharpen the profile; recurring gestures, related formal ideas and sonic transitions create connection. What emerges is a many-layered portrait rather than a mere succession of pieces.

Even without prior knowledge of music history, Portrait Günther Becker offers a direct way in. Incisive motifs, characteristic rhythms, speaking lines and carefully placed rests lead through the music. Listen more closely and a dense web of references, transformations and interpretative decisions comes into view.

Booklet, artistic conception and recording technique combine into a typical Cybele production: repertoire off the beaten track is presented with expertise, in high sonic quality and without promotional overstatement. The presentation thus remains informative and gives the label its profile, while the music itself stays at the centre.