Cybele 230401 1998

16bit 44.1kHz Stereo Classical music Baroque music Classical music 1:12:29

To the description

Deutsche Musik des 18. Jahrhunderts

Contributors

Jeremias SchwarzerRecorder playerEgon MihajlovicHarpsichordist / Organist

Composers

Carl Philipp Emanuel Bach · Georg Friedrich Händel · Johann Sebastian Bach

Short description

German music of the 18th century by Johann Sebastian Bach, Georg Friedrich Händel and Carl Philipp Emanuel Bach. Jeremias Schwarzer and Egon Mihajlovic show the stylistic variety of German music of the 18th century. Polyphonic density, galant wit and empfindsam expressivity are drawn together by changing recorder colours and agile harpsichord playing. Jeremias Schwarzer, Egon Mihajlovic. The recording joins a distinctive programme to precise interpretation and to a sound direction that renders instruments, articulation and spatial effect in fine gradation.

Details

Format
CD

Resolution
PCM 44,1 kHz / 16 Bit

Total playing time
72:29

Channels
Stereo

Scoring
Recorder, harpsichord, chamber music

Performers
Jeremias Schwarzer, Egon Mihajlovic

Programme
German music of the 18th century by Johann Sebastian Bach, Georg Friedrich Händel and Carl Philipp Emanuel Bach

Specifications

Catalogue number
Cybele 230401
Year of release
1998
Genre
Classical music
Period
Baroque music, Classical music
Instrumentation
Recorder, Harpsichord, Chamber music
Label
Cybele Records
Barcode
809548002527
GTIN
4068992491202
Booklet (pages)
32

Track listing

21 tracks · 1:12:29

  1. 01 Sonate in e-Moll WQ 124 – Adagio Composer: Carl Philipp Emanuel Bach (1714-1788) Performers: Jeremias Schwarzer, Egon Mihajlovic 2:18
  2. 02 Sonate in e-Moll WQ 124 – Allegro Composer: Carl Philipp Emanuel Bach (1714-1788) Performers: Jeremias Schwarzer, Egon Mihajlovic 1:55
  3. 03 Sonate in e-Moll WQ 124 – Menuett, 1. Variation, 2. Variation Composer: Carl Philipp Emanuel Bach (1714-1788) Performers: Jeremias Schwarzer, Egon Mihajlovic 4:31
  4. 04 Sonate in e-Moll BWV 1034 – Adagio ma non tanto Composer: Johann Sebastian Bach (1685-1750) Performers: Jeremias Schwarzer, Egon Mihajlovic 3:54
  5. 05 Sonate in e-Moll BWV 1034 – Allegro Composer: Johann Sebastian Bach (1685-1750) Performers: Jeremias Schwarzer, Egon Mihajlovic 2:39
  6. 06 Sonate in e-Moll BWV 1034 – Andante Composer: Johann Sebastian Bach (1685-1750) Performers: Jeremias Schwarzer, Egon Mihajlovic 4:23
  7. 07 Sonate in e-Moll BWV 1034 – Allegro Composer: Johann Sebastian Bach (1685-1750) Performers: Jeremias Schwarzer, Egon Mihajlovic 4:36
  8. 08 Sonate in F-Dur HWV 369 – Allegro Composer: Georg Friedrich Händel (1685-1759) Performers: Jeremias Schwarzer, Egon Mihajlovic 1:54
  9. 09 Sonate in F-Dur HWV 369 – Adagio Composer: Georg Friedrich Händel (1685-1759) Performers: Jeremias Schwarzer, Egon Mihajlovic 1:55
  10. 10 Sonate in F-Dur HWV 369 – Allegro Composer: Georg Friedrich Händel (1685-1759) Performers: Jeremias Schwarzer, Egon Mihajlovic 1:29
  11. 11 Sonate in B-Dur HWV 377 – Larghetto Composer: Georg Friedrich Händel (1685-1759) Performers: Jeremias Schwarzer, Egon Mihajlovic 1:49
  12. 12 Sonate in B-Dur HWV 377 – Allegro Composer: Georg Friedrich Händel (1685-1759) Performers: Jeremias Schwarzer, Egon Mihajlovic 2:01
  13. 13 Sonate in B-Dur HWV 377 – Siciliana Composer: Georg Friedrich Händel (1685-1759) Performers: Jeremias Schwarzer, Egon Mihajlovic 1:26
  14. 14 Sonate in B-Dur HWV 377 – Giga Composer: Georg Friedrich Händel (1685-1759) Performers: Jeremias Schwarzer, Egon Mihajlovic 2:23
  15. 15 Sonate in h-Moll (transp. nach c-Moll) BWV 1030 – Andante Composer: Johann Sebastian Bach (1685-1750) Performers: Jeremias Schwarzer, Egon Mihajlovic 7:40
  16. 16 Sonate in h-Moll (transp. nach c-Moll) BWV 1030 – Largo e dolce Composer: Johann Sebastian Bach (1685-1750) Performers: Jeremias Schwarzer, Egon Mihajlovic 3:57
  17. 17 Sonate in h-Moll (transp. nach c-Moll) BWV 1030 – Presto Composer: Johann Sebastian Bach (1685-1750) Performers: Jeremias Schwarzer, Egon Mihajlovic 1:33
  18. 18 Sonate in h-Moll (transp. nach c-Moll) BWV 1030 – Allegro Composer: Johann Sebastian Bach (1685-1750) Performers: Jeremias Schwarzer, Egon Mihajlovic 4:00
  19. 19 Sonate in D-Dur WQ 83 – Allegro un poco Composer: Carl Philipp Emanuel Bach (1714-1788) Performers: Jeremias Schwarzer, Egon Mihajlovic 5:33
  20. 20 Sonate in D-Dur WQ 83 – Largo Composer: Carl Philipp Emanuel Bach (1714-1788) Performers: Jeremias Schwarzer, Egon Mihajlovic 6:21
  21. 21 Sonate in D-Dur WQ 83 – Allegro Composer: Carl Philipp Emanuel Bach (1714-1788) Performers: Jeremias Schwarzer, Egon Mihajlovic 6:12

Description

German music of the 18th century by Johann Sebastian Bach, Georg Friedrich Händel and Carl Philipp Emanuel Bach. Jeremias Schwarzer and Egon Mihajlovic show the stylistic variety of German music of the 18th century. Polyphonic density, galant wit and empfindsam expressivity are drawn together by changing recorder colours and agile harpsichord playing.

The booklet opens up the historical and aesthetic context of the programme. Works and arrangements are seen not in isolation but as part of a living history of performance and reception. This makes the decisions about scoring, instruments and order easy to follow.

Jeremias Schwarzer, Egon Mihajlovic shapes the music with clear voice leading, supple articulation and a pronounced feeling for tone colour. Lyrical passages keep their calm and breath, rhythmically pointed sections their energy. Even in dense textures, motifs, counter-voices and formal transitions remain transparent.

The scoring – Recorder, harpsichord, chamber music – is an essential part of the statement. Resonance, registration, touch or bowing technique and the acoustics of each space all help to shape the dramaturgy. The production preserves these differences and makes both the finest gradations and the great dynamic arcs audible.

The album follows no mere chronology but a deliberately constructed logic of listening. Contrasts between periods, types of work and instrumental colours sharpen the profile of the individual pieces, while recurring gestures and related formal ideas hold them together. What emerges is a coherent portrait rather than a chance collection.

For connoisseurs, Deutsche Musik des 18. Jahrhunderts offers a wealth of detail in compositional technique, interpretation and sound. At the same time the way in remains direct: speaking motifs, characteristic rhythms and incisive colours lead through the programme. The booklet deepens this listening experience without anticipating it.

Artistic conception and recording technique thus interlock. The result documents not only repertoire but shows how historical knowledge, interpretative imagination and careful sound direction complement one another. It is precisely this combination that gives the production its unmistakable label profile.