Cybele 351001 2002

16bit 44.1kHz Stereo New music Classical modernism Contemporary music 55:57

To the description

Neue Kammermusik: Klarinettentrios des 20. Jahrhunderts

Contributors

Trio ContrastsEnsemble (trio)

Composers

Alban Berg · Ernst Krenek · Friedrich Scholz · Gottfried von Einem

Short description

Clarinet trios of the 20th century by Einem, Berg, Scholz and Krenek. The Trio Contrasts presents a scoring newly defined in the 20th century. All the works remain bound to classical-Romantic motivic work while carrying it on into the vicinity of twelve-note writing, free melody and contemporary variation technique. Trio Contrasts. The recording joins a distinctive programme to precise interpretation and to a sound direction that renders instruments, articulation and spatial effect in fine gradation.

Details

Format
CD

Resolution
PCM 44,1 kHz / 16 Bit

Total playing time
55:57

Channels
Stereo

Scoring
Violin, clarinet, piano, chamber music

Performers
Trio Contrasts

Programme
Clarinet trios of the 20th century by Einem, Berg, Scholz and Krenek

Specifications

Catalogue number
Cybele 351001
Year of release
2002
Genre
New music
Period
Classical modernism, Contemporary music
Instrumentation
Chamber music, Clarinet, Piano, Violin
Label
Cybele Records
Barcode
809548007126
GTIN
4068992494456
Booklet (pages)
24

Track listing

8 tracks · 55:57

  1. 01 Verdehr-Trio Op. 97 (1992) für Violine, Klarinette und Klavier – Etwas bewegter Composer: Gottfried von Einem (1918-1996) Performer: Trio Contrasts 4:59
  2. 02 Verdehr-Trio Op. 97 (1992) für Violine, Klarinette und Klavier – Unruhig Composer: Gottfried von Einem (1918-1996) Performer: Trio Contrasts 3:54
  3. 03 Verdehr-Trio Op. 97 (1992) für Violine, Klarinette und Klavier – Gemessen Composer: Gottfried von Einem (1918-1996) Performer: Trio Contrasts 5:53
  4. 04 Verdehr-Trio Op. 97 (1992) für Violine, Klarinette und Klavier – Stürmisch Composer: Gottfried von Einem (1918-1996) Performer: Trio Contrasts 3:33
  5. 05 Adagio (II. Satz aus dem 'Kammerkonzert', arr. Alban Berg) Composer: Alban Berg (1885-1935) Performer: Trio Contrasts 15:24
  6. 06 Thema mit Variationen (1998) für Klarinette, Violine und Klavier Composer: Friedrich Scholz (1926-) Performer: Trio Contrasts 13:53
  7. 07 Trio (1946) für Violine, Klarinette und Piano – Allegretto moderato, comodo Composer: Ernst Krenek (1900-1991) Performer: Trio Contrasts 3:02
  8. 08 Trio (1946) für Violine, Klarinette und Piano – Allegro agitato Composer: Ernst Krenek (1900-1991) Performer: Trio Contrasts 5:19

Description

Clarinet trios of the 20th century by Einem, Berg, Scholz and Krenek. The Trio Contrasts presents a scoring newly defined in the 20th century. All the works remain bound to classical-Romantic motivic work while carrying it on into the vicinity of twelve-note writing, free melody and contemporary variation technique.

The booklet opens up the historical and aesthetic context of the programme. Works and arrangements are seen not in isolation but as part of a living history of performance and reception. This makes the decisions about scoring, instruments and order easy to follow.

Trio Contrasts shapes the music with clear voice leading, supple articulation and a pronounced feeling for tone colour. Lyrical passages keep their calm and breath, rhythmically pointed sections their energy. Even in dense textures, motifs, counter-voices and formal transitions remain transparent.

The scoring – Violin, clarinet, piano, chamber music – is an essential part of the statement. Resonance, registration, touch or bowing technique and the acoustics of each space all help to shape the dramaturgy. The production preserves these differences and makes both the finest gradations and the great dynamic arcs audible.

The album follows no mere chronology but a deliberately constructed logic of listening. Contrasts between periods, types of work and instrumental colours sharpen the profile of the individual pieces, while recurring gestures and related formal ideas hold them together. What emerges is a coherent portrait rather than a chance collection.

For connoisseurs, Neue Kammermusik: Klarinettentrios des 20. Jahrhunderts offers a wealth of detail in compositional technique, interpretation and sound. At the same time the way in remains direct: speaking motifs, characteristic rhythms and incisive colours lead through the programme. The booklet deepens this listening experience without anticipating it.

Artistic conception and recording technique thus interlock. The result documents not only repertoire but shows how historical knowledge, interpretative imagination and careful sound direction complement one another. It is precisely this combination that gives the production its unmistakable label profile.