Cybele 360201 1996

16bit 44.1kHz Stereo New music Contemporary music 1:13:49

To the description

notabu.ensemble neue musik spielt Werke von Günther Becker

Contributors

notabu.ensemble neue musikEnsembleMark-Andreas SchlingensiepenConductor / Composer

Composer

Günther Becker

Short description

Günther Becker: Hard Times – Multisounds, Stravaganza, Rigolo, Epiklesis Alpha, Mikrographien und Game for Nine. The notabu.ensemble shows Günther Becker as a composer between historical memory, political experience and experimental delight in playing. Schumann ciphers, a persiflage of Verdi, multiphonics, tape and extended instrumental techniques combine into a many-faceted portrait. notabu.ensemble neue musik, Mark-Andreas Schlingensiepen combines stylistic precision with vivid shaping of sound. The production renders scoring, articulation, dynamic range and spatial effect in fine gradation and draws the works together into a coherent album.

Details

Format
CD

Resolution
PCM 44,1 kHz / 16 Bit

Total playing time
73:49

Channels
Stereo

Scoring
Chamber ensemble, soprano, bassoon, violin, piano, tape

Performers
notabu.ensemble neue musik, Mark-Andreas Schlingensiepen

Programme
Günther Becker: Hard Times – Multisounds, Stravaganza, Rigolo, Epiklesis Alpha, Mikrographien und Game for Nine

Specifications

Catalogue number
Cybele 360201
Year of release
1996
Genre
New music
Period
Contemporary music
Instrumentation
Bassoon, Chamber ensemble, Piano, Soprano, Tape, Violin
Label
Cybele Records
Barcode
809548001124
GTIN
4068992494548
Booklet (pages)
28

Track listing

14 tracks · 1:13:49

  1. 01 Quasi una fantasmagoria (1980-81) für Bläsersextett – I Composer: Günther Becker (1924-2007) Performers: notabu.ensemble neue musik, Mark-Andreas Schlingensiepen 2:18
  2. 02 Quasi una fantasmagoria (1980-81) für Bläsersextett – II Composer: Günther Becker (1924-2007) Performers: notabu.ensemble neue musik, Mark-Andreas Schlingensiepen 3:43
  3. 03 Quasi una fantasmagoria (1980-81) für Bläsersextett – III Composer: Günther Becker (1924-2007) Performers: notabu.ensemble neue musik, Mark-Andreas Schlingensiepen 4:18
  4. 04 Quasi una fantasmagoria (1980-81) für Bläsersextett – IV Composer: Günther Becker (1924-2007) Performers: notabu.ensemble neue musik, Mark-Andreas Schlingensiepen 2:09
  5. 05 Quasi una fantasmagoria (1980-81) für Bläsersextett – V Composer: Günther Becker (1924-2007) Performers: notabu.ensemble neue musik, Mark-Andreas Schlingensiepen 2:22
  6. 06 Hard Times – Multisounds für Fagott und 17 Instrumente (1989-90) Composer: Günther Becker (1924-2007) Performers: Veit Scholz, notabu.ensemble neue musik, Mark-Andreas Schlingensiepen 13:29
  7. 07 Game for nine (1962) für Kammerensemble Composer: Günther Becker (1924-2007) Performers: notabu.ensemble neue musik, Mark-Andreas Schlingensiepen 8:42
  8. 08 Stravaganza (1986) für Violine solo Composer: Günther Becker (1924-2007) Performer: Aki Komiyama 12:01
  9. 09 Epiklesis alpha (1976) Composer: Günther Becker (1924-2007) Performers: notabu.ensemble neue musik, Mark-Andreas Schlingensiepen 11:06
  10. 10 Mikrografien (1973) für Klavier solo – I Composer: Günther Becker (1924-2007) Performer: Annette Heinicke 1:52
  11. 11 Mikrografien (1973) für Klavier solo – II Composer: Günther Becker (1924-2007) Performer: Annette Heinicke 1:18
  12. 12 Mikrografien (1973) für Klavier solo – III Composer: Günther Becker (1924-2007) Performer: Annette Heinicke 0:57
  13. 13 Mikrografien (1973) für Klavier solo – IV Composer: Günther Becker (1924-2007) Performer: Annette Heinicke 1:10
  14. 14 Rigolo (1966) für hohe Stimme, fünf Instrumente und Tonband Composer: Günther Becker (1924-2007) Performers: Ingeborg Greiner, notabu.ensemble neue musik, Mark-Andreas Schlingensiepen 8:24

Description

Günther Becker: Hard Times – Multisounds, Stravaganza, Rigolo, Epiklesis Alpha, Mikrographien und Game for Nine. The notabu.ensemble shows Günther Becker as a composer between historical memory, political experience and experimental delight in playing. Schumann ciphers, a persiflage of Verdi, multiphonics, tape and extended instrumental techniques combine into a many-faceted portrait.

The extensive booklet places the works in their biographical, historical and aesthetic context. It shows the traditions from which the music springs and how it carries existing forms, genres and ways of playing further. The order of the programme makes these relations audible without levelling out the individuality of the single pieces.

notabu.ensemble neue musik, Mark-Andreas Schlingensiepen shapes the repertoire with clear voice leading, precise articulation and a pronounced feeling for tone colour. Quiet, fragile passages keep their tension; rhythmically pointed or densely written sections remain transparent. The interpretation joins analytical care to a natural musical breath.

The scoring – Chamber ensemble, soprano, bassoon, violin, piano, tape – is part of the compositional statement. Registration, resonances, breath, bowing or touch and, where present, electronic layers all help to shape the course of the music. The recording preserves these differences and lets the interplay of individual voice, ensemble and space be followed directly.

The album is built dramaturgically as a continuous sequence for listening. Contrasts between creative periods, textures and instrumental colours sharpen the profile; recurring gestures, related formal ideas and sonic transitions create connection. What emerges is a many-layered portrait rather than a mere succession of pieces.

Even without prior knowledge of music history, notabu.ensemble neue musik spielt Werke von Günther Becker offers a direct way in. Incisive motifs, characteristic rhythms, speaking lines and carefully placed rests lead through the music. Listen more closely and a dense web of references, transformations and interpretative decisions comes into view.

Booklet, artistic conception and recording technique combine into a typical Cybele production: repertoire off the beaten track is presented with expertise, in high sonic quality and without promotional overstatement. The presentation thus remains informative and gives the label its profile, while the music itself stays at the centre.

Concert calendar