Cybele 660101 1995

16bit 44.1kHz Stereo New music Contemporary music 1:10:27

To the description

Portrait Wolfgang Hufschmidt

Contributors

Susanne AchillesPianistMarkus HufschmidtJens VetterMichael HamannViolinist / ComposerRachel GruberHarald LillmeyerMartin SchulzThomas NeuhausWolfgang HufschmidtComposer

Composer

Wolfgang Hufschmidt

Short description

Komponistenporträt Wolfgang Hufschmidt. The portrait shows Wolfgang Hufschmidt’s music between social reflection, vocal statement, instrumental sound and electronic media. A large group of long-standing companions makes audible how precise construction and an alert political stance mesh with one another in his work. Susanne Achilles, Markus Hufschmidt, Jens Vetter, Michael Hamann, Rachel Gruber, Harald Lillmeyer, Martin Schulz, Thomas Neuhaus, Wolfgang Hufschmidt combines stylistic precision with vivid shaping of sound. The production renders scoring, articulation, dynamic range and spatial effect in fine gradation and draws the works together into a coherent album.

Details

Format
CD

Resolution
PCM 44,1 kHz / 16 Bit

Total playing time
70:27

Channels
Stereo

Scoring
Portrait album, chamber music, vocal music, electronic music

Performers
Susanne Achilles, Markus Hufschmidt, Jens Vetter, Michael Hamann, Rachel Gruber, Harald Lillmeyer, Martin Schulz, Thomas Neuhaus, Wolfgang Hufschmidt

Programme
Komponistenporträt Wolfgang Hufschmidt

Specifications

Catalogue number
Cybele 660101
Year of release
1995
Genre
New music
Period
Contemporary music
Instrumentation
Electronic music, Chamber music, Portrait
Label
Cybele Records
Barcode
809548000721
GTIN
4068992494746
Booklet (pages)
28

Track listing

32 tracks · 1:10:27

  1. 01 Trio II (1982) – Sieben Inventionen über Farben und Bilder, Goethe Composer: Wolfgang Hufschmidt (1934-) Performers: Susanne Achilles, Markus Hufschmidt, Jens Vetter, Michael Hamann, Rachel Gruber, Harald Lillmeyer, Martin Schulz, Thomas Neuhaus, Wolfgang Hufschmidt 2:30
  2. 02 Trio II (1982) – Sieben Inventionen über Farben und Bilder, Klee Composer: Wolfgang Hufschmidt (1934-) Performers: Susanne Achilles, Markus Hufschmidt, Jens Vetter, Michael Hamann, Rachel Gruber, Harald Lillmeyer, Martin Schulz, Thomas Neuhaus, Wolfgang Hufschmidt 2:09
  3. 03 Trio II (1982) – Sieben Inventionen über Farben und Bilder, Heimendahl Composer: Wolfgang Hufschmidt (1934-) Performers: Susanne Achilles, Markus Hufschmidt, Jens Vetter, Michael Hamann, Rachel Gruber, Harald Lillmeyer, Martin Schulz, Thomas Neuhaus, Wolfgang Hufschmidt 2:16
  4. 04 Trio II (1982) – Sieben Inventionen über Farben und Bilder, Runge Composer: Wolfgang Hufschmidt (1934-) Performers: Susanne Achilles, Markus Hufschmidt, Jens Vetter, Michael Hamann, Rachel Gruber, Harald Lillmeyer, Martin Schulz, Thomas Neuhaus, Wolfgang Hufschmidt 4:43
  5. 05 Trio II (1982) – Sieben Inventionen über Farben und Bilder, Albers Composer: Wolfgang Hufschmidt (1934-) Performers: Susanne Achilles, Markus Hufschmidt, Jens Vetter, Michael Hamann, Rachel Gruber, Harald Lillmeyer, Martin Schulz, Thomas Neuhaus, Wolfgang Hufschmidt 2:29
  6. 06 Trio II (1982) – Sieben Inventionen über Farben und Bilder, Monet Composer: Wolfgang Hufschmidt (1934-) Performers: Susanne Achilles, Markus Hufschmidt, Jens Vetter, Michael Hamann, Rachel Gruber, Harald Lillmeyer, Martin Schulz, Thomas Neuhaus, Wolfgang Hufschmidt 2:21
  7. 07 Trio II (1982) – Sieben Inventionen über Farben und Bilder, Pilz Composer: Wolfgang Hufschmidt (1934-) Performers: Susanne Achilles, Markus Hufschmidt, Jens Vetter, Michael Hamann, Rachel Gruber, Harald Lillmeyer, Martin Schulz, Thomas Neuhaus, Wolfgang Hufschmidt 2:08
  8. 08 Lieder ohne Worte. 24 Klavierstücke für Tonband (1985-86) – Nr. 1 Composer: Wolfgang Hufschmidt (1934-) Performers: Susanne Achilles, Thomas Neuhaus 2:40
  9. 09 Lieder ohne Worte. 24 Klavierstücke für Tonband (1985-86) – Nr. 2 Composer: Wolfgang Hufschmidt (1934-) Performers: Susanne Achilles, Thomas Neuhaus 1:20
  10. 10 Lieder ohne Worte. 24 Klavierstücke für Tonband (1985-86) – Nr. 3 Composer: Wolfgang Hufschmidt (1934-) Performers: Susanne Achilles, Thomas Neuhaus 0:56
  11. 11 Lieder ohne Worte. 24 Klavierstücke für Tonband (1985-86) – Nr. 4 Composer: Wolfgang Hufschmidt (1934-) Performers: Susanne Achilles, Thomas Neuhaus 0:54
  12. 12 Lieder ohne Worte. 24 Klavierstücke für Tonband (1985-86) – Nr. 5 Composer: Wolfgang Hufschmidt (1934-) Performers: Susanne Achilles, Thomas Neuhaus 1:05
  13. 13 Lieder ohne Worte. 24 Klavierstücke für Tonband (1985-86) – Nr. 6 Composer: Wolfgang Hufschmidt (1934-) Performers: Susanne Achilles, Thomas Neuhaus 1:17
  14. 14 Lieder ohne Worte. 24 Klavierstücke für Tonband (1985-86) – Nr. 7 Composer: Wolfgang Hufschmidt (1934-) Performers: Susanne Achilles, Thomas Neuhaus 1:26
  15. 15 Lieder ohne Worte. 24 Klavierstücke für Tonband (1985-86) – Nr. 8 Composer: Wolfgang Hufschmidt (1934-) Performers: Susanne Achilles, Thomas Neuhaus 1:33
  16. 16 Lieder ohne Worte. 24 Klavierstücke für Tonband (1985-86) – Nr. 9 Composer: Wolfgang Hufschmidt (1934-) Performers: Susanne Achilles, Thomas Neuhaus 0:47
  17. 17 Lieder ohne Worte. 24 Klavierstücke für Tonband (1985-86) – Nr. 10 Composer: Wolfgang Hufschmidt (1934-) Performers: Susanne Achilles, Thomas Neuhaus 1:52
  18. 18 Lieder ohne Worte. 24 Klavierstücke für Tonband (1985-86) – Nr. 11 Composer: Wolfgang Hufschmidt (1934-) Performers: Susanne Achilles, Thomas Neuhaus 3:10
  19. 19 Lieder ohne Worte. 24 Klavierstücke für Tonband (1985-86) – Nr. 12 Composer: Wolfgang Hufschmidt (1934-) Performers: Susanne Achilles, Thomas Neuhaus 1:56
  20. 20 Lieder ohne Worte. 24 Klavierstücke für Tonband (1985-86) – Nr. 13 Composer: Wolfgang Hufschmidt (1934-) Performers: Susanne Achilles, Thomas Neuhaus 3:32
  21. 21 Lieder ohne Worte. 24 Klavierstücke für Tonband (1985-86) – Nr. 14 Composer: Wolfgang Hufschmidt (1934-) Performers: Susanne Achilles, Thomas Neuhaus 1:17
  22. 22 Lieder ohne Worte. 24 Klavierstücke für Tonband (1985-86) – Nr. 15 Composer: Wolfgang Hufschmidt (1934-) Performers: Susanne Achilles, Thomas Neuhaus 1:11
  23. 23 Lieder ohne Worte. 24 Klavierstücke für Tonband (1985-86) – Nr. 16 Composer: Wolfgang Hufschmidt (1934-) Performers: Susanne Achilles, Thomas Neuhaus 2:43
  24. 24 Lieder ohne Worte. 24 Klavierstücke für Tonband (1985-86) – Nr. 17 Composer: Wolfgang Hufschmidt (1934-) Performers: Susanne Achilles, Thomas Neuhaus 1:33
  25. 25 Lieder ohne Worte. 24 Klavierstücke für Tonband (1985-86) – Nr. 18 Composer: Wolfgang Hufschmidt (1934-) Performers: Susanne Achilles, Thomas Neuhaus 1:26
  26. 26 Lieder ohne Worte. 24 Klavierstücke für Tonband (1985-86) – Nr. 19 Composer: Wolfgang Hufschmidt (1934-) Performers: Susanne Achilles, Thomas Neuhaus 1:06
  27. 27 Lieder ohne Worte. 24 Klavierstücke für Tonband (1985-86) – Nr. 20 Composer: Wolfgang Hufschmidt (1934-) Performers: Susanne Achilles, Thomas Neuhaus 1:29
  28. 28 Lieder ohne Worte. 24 Klavierstücke für Tonband (1985-86) – Nr. 21 Composer: Wolfgang Hufschmidt (1934-) Performers: Susanne Achilles, Thomas Neuhaus 1:27
  29. 29 Lieder ohne Worte. 24 Klavierstücke für Tonband (1985-86) – Nr. 22 Composer: Wolfgang Hufschmidt (1934-) Performers: Susanne Achilles, Thomas Neuhaus 0:53
  30. 30 Lieder ohne Worte. 24 Klavierstücke für Tonband (1985-86) – Nr. 23 Composer: Wolfgang Hufschmidt (1934-) Performers: Susanne Achilles, Thomas Neuhaus 1:11
  31. 31 Lieder ohne Worte. 24 Klavierstücke für Tonband (1985-86) – Nr. 24 Composer: Wolfgang Hufschmidt (1934-) Performers: Susanne Achilles, Thomas Neuhaus 1:35
  32. 32 Engel der Geschichte (II) Flötentöne Nr. XVI (1994) Composer: Wolfgang Hufschmidt (1934-) Performers: Susanne Achilles, Markus Hufschmidt, Jens Vetter, Michael Hamann, Rachel Gruber, Harald Lillmeyer, Martin Schulz, Thomas Neuhaus, Wolfgang Hufschmidt 13:32

Description

Komponistenporträt Wolfgang Hufschmidt. The portrait shows Wolfgang Hufschmidt’s music between social reflection, vocal statement, instrumental sound and electronic media. A large group of long-standing companions makes audible how precise construction and an alert political stance mesh with one another in his work.

The extensive booklet places the works in their biographical, historical and aesthetic context. It shows the traditions from which the music springs and how it carries existing forms, genres and ways of playing further. The order of the programme makes these relations audible without levelling out the individuality of the single pieces.

Susanne Achilles, Markus Hufschmidt, Jens Vetter, Michael Hamann, Rachel Gruber, Harald Lillmeyer, Martin Schulz, Thomas Neuhaus, Wolfgang Hufschmidt shapes the repertoire with clear voice leading, precise articulation and a pronounced feeling for tone colour. Quiet, fragile passages keep their tension; rhythmically pointed or densely written sections remain transparent. The interpretation joins analytical care to a natural musical breath.

The scoring – Portrait album, chamber music, vocal music, electronic music – is part of the compositional statement. Registration, resonances, breath, bowing or touch and, where present, electronic layers all help to shape the course of the music. The recording preserves these differences and lets the interplay of individual voice, ensemble and space be followed directly.

The album is built dramaturgically as a continuous sequence for listening. Contrasts between creative periods, textures and instrumental colours sharpen the profile; recurring gestures, related formal ideas and sonic transitions create connection. What emerges is a many-layered portrait rather than a mere succession of pieces.

Even without prior knowledge of music history, Portrait Wolfgang Hufschmidt offers a direct way in. Incisive motifs, characteristic rhythms, speaking lines and carefully placed rests lead through the music. Listen more closely and a dense web of references, transformations and interpretative decisions comes into view.

Booklet, artistic conception and recording technique combine into a typical Cybele production: repertoire off the beaten track is presented with expertise, in high sonic quality and without promotional overstatement. The presentation thus remains informative and gives the label its profile, while the music itself stays at the centre.