Cybele 260101 1995

16bit 44.1kHz Stereo New music Classical modernism Contemporary music 1:00:25

To the description

Rolf Hildebrand: Marimba

Contributors

Rolf Hildebrand

Composers

Akira Yuyama · Isaac Albeniz · Keiko Abe · Minoru Miki · Oskar Gottlieb Blarr · Paul Smadbeck · Rich O´Meara · Rolf Hildebrand

Short description

Marimba works by Yuyama, Hildebrand, O’Meara, Miki, Blarr, Albéniz, Abe and Smadbeck. Rolf Hildebrand presents the marimba as a colourful solo instrument between Japanese modernism, the American percussion tradition, jazz and arrangement. Guests and ensemble colours widen the spectrum; rhythm, resonance and melodic warmth mark this varied portrait. Rolf Hildebrand. The recording joins a distinctive programme to precise interpretation and to a sound direction that renders instruments, articulation and spatial effect in fine gradation.

Details

Format
CD

Resolution
PCM 44,1 kHz / 16 Bit

Total playing time
60:25

Channels
Stereo

Scoring
Marimba, percussion, jazz ensemble

Performers
Rolf Hildebrand

Programme
Marimbawerke von Yuyama, Hildebrand, O’Meara, Miki, Blarr, Albéniz, Abe und Smadbeck

Specifications

Catalogue number
Cybele 260101
Year of release
1995
Genre
New music
Period
Classical modernism, Contemporary music
Instrumentation
Marimba, Positive organ, Percussion
Label
Cybele Records
Barcode
809548000127
GTIN
4068992494319
Booklet (pages)
16

Track listing

8 tracks · 1:00:25

  1. 01 Asturias (Leyenda) Composer: Isaac Albeniz (1860-1909) Performer: Rolf Hildebrand 7:00
  2. 02 Holzwege Composer: Rolf Hildebrand (1957-) Performers: Rolf Hildebrand, Christian Roderburg 6:48
  3. 03 Wind in the Bamboo Grove Composer: Keiko Abe (1937-) Performer: Rolf Hildebrand 5:36
  4. 04 Divertimento for Marimba and Alto Saxophone Composer: Akira Yuyama (1932-) Performers: Rolf Hildebrand, Hugo Read 11:58
  5. 05 Etude No. 2 Composer: Paul Smadbeck (1955-) Performer: Rolf Hildebrand 2:40
  6. 06 Wooden Music Composer: Rich O'Meara (1957-) Performers: Rolf Hildebrand, Christian Roderburg 9:52
  7. 07 Time for Marimba Composer: Minoru Miki (1930-) Performer: Rolf Hildebrand 9:58
  8. 08 Miel de Provence Composer: Oskar Gottlieb Blarr (1934-) Performers: Rolf Hildebrand, Oskar Gottlieb Blarr 6:33

Description

Marimba works by Yuyama, Hildebrand, O’Meara, Miki, Blarr, Albéniz, Abe and Smadbeck. Rolf Hildebrand presents the marimba as a colourful solo instrument between Japanese modernism, the American percussion tradition, jazz and arrangement. Guests and ensemble colours widen the spectrum; rhythm, resonance and melodic warmth mark this varied portrait.

The booklet opens up the historical and aesthetic context of the programme. Works and arrangements are seen not in isolation but as part of a living history of performance and reception. This makes the decisions about scoring, instruments and order easy to follow.

Rolf Hildebrand shapes the music with clear voice leading, supple articulation and a pronounced feeling for tone colour. Lyrical passages keep their calm and breath, rhythmically pointed sections their energy. Even in dense textures, motifs, counter-voices and formal transitions remain transparent.

The scoring – Marimba, percussion, jazz ensemble – is an essential part of the statement. Resonance, registration, touch or bowing technique and the acoustics of each space all help to shape the dramaturgy. The production preserves these differences and makes both the finest gradations and the great dynamic arcs audible.

The album follows no mere chronology but a deliberately constructed logic of listening. Contrasts between periods, types of work and instrumental colours sharpen the profile of the individual pieces, while recurring gestures and related formal ideas hold them together. What emerges is a coherent portrait rather than a chance collection.

For connoisseurs, Rolf Hildebrand: Marimba offers a wealth of detail in compositional technique, interpretation and sound. At the same time the way in remains direct: speaking motifs, characteristic rhythms and incisive colours lead through the programme. The booklet deepens this listening experience without anticipating it.

Artistic conception and recording technique thus interlock. The result documents not only repertoire but shows how historical knowledge, interpretative imagination and careful sound direction complement one another. It is precisely this combination that gives the production its unmistakable label profile.