Cybele 3D-261603

Cybele 3D-261603 2017

3D binaural stereo 5.1 surround DSD Stereo New music Contemporary music 58:15

To the description

Thomas Adès: Streichquartette, Klavierquintett

Contributors

DoelenKwartetDimitri VassilakisPianist

Composer

Thomas Adès

Short description

Thomas Adès: Arcadiana, Piano Quintet und The Four Quarters. Three key works show Adès’ chamber music between memory and a radically organised present. Arcadiana sketches lost idylls, the piano quintet concentrates a large single-movement form, and The Four Quarters transforms the course of the day as far as an imaginary twenty-fifth hour. DoelenKwartet, Dimitri Vassilakis. The recording joins a distinctive programme to precise interpretation and to a sound direction that renders instruments, articulation and spatial effect in fine gradation.

Details

Format
Hybrid-SACD

Resolution
DSD64 / 2.8224 MHz 1 bit

Total playing time
58:10

Channels
Stereo, 5.1 Surround, 3D-Binaural-Stereo

Scoring
String quartet, piano quintet

Performers
DoelenKwartet, Dimitri Vassilakis

Programme
Thomas Adès: Arcadiana, Piano Quintet und The Four Quarters

Awards

International Classical Music Awards (ICMA) 2018 — Nomination, Contemporary category

Preis der deutschen Schallplattenkritik — Longlist 1/2018, contemporary music category

Diapason — 5 Diapason of the Month, February/March 2018

Specifications

Catalogue number
Cybele 3D-261603
Year of release
2017
Genre
New music
Period
Contemporary music
Instrumentation
Piano quintet, String quartet
Label
Cybele Records
Barcode
809548017941
GTIN
4068992489872
Booklet (pages)
36

Track listing

12 tracks · 58:15

  1. 01 Arcadiana Op. 12 (1994) for string quartet – I. Venezia notturna Composer: Thomas Adès (1971-) Performer: DoelenKwartet 2:26
  2. 02 Arcadiana Op. 12 (1994) for string quartet – II. Das klinget so herrlich, das klinget so schön Composer: Thomas Adès (1971-) Performer: DoelenKwartet 1:32
  3. 03 Arcadiana Op. 12 (1994) for string quartet – III. Auf dem Wasser zu singen Composer: Thomas Adès (1971-) Performer: DoelenKwartet 2:40
  4. 04 Arcadiana Op. 12 (1994) for string quartet – IV. Et … (tango mortale) Composer: Thomas Adès (1971-) Performer: DoelenKwartet 3:43
  5. 05 Arcadiana Op. 12 (1994) for string quartet – V. L'Embarquement Composer: Thomas Adès (1971-) Performer: DoelenKwartet 2:44
  6. 06 Arcadiana Op. 12 (1994) for string quartet – VI. O Albion Composer: Thomas Adès (1971-) Performer: DoelenKwartet 3:07
  7. 07 Arcadiana Op. 12 (1994) for string quartet – VII. Lethe Composer: Thomas Adès (1971-) Performer: DoelenKwartet 2:52
  8. 08 Piano Quintet Op. 20 (2000) for piano and string quartet Composer: Thomas Adès (1971-) Performers: DoelenKwartet, Dimitri Vassilakis 21:45
  9. 09 The Four Quarters Op. 28 (2010) for string quartet – I. Nightfalls Composer: Thomas Adès (1971-) Performer: DoelenKwartet 6:47
  10. 10 The Four Quarters Op. 28 (2010) for string quartet – II. Morning Dew Composer: Thomas Adès (1971-) Performer: DoelenKwartet 3:02
  11. 11 The Four Quarters Op. 28 (2010) for string quartet – III. Days Composer: Thomas Adès (1971-) Performer: DoelenKwartet 3:56
  12. 12 The Four Quarters Op. 28 (2010) for string quartet – IV. The Twenty-fifth Hour Composer: Thomas Adès (1971-) Performer: DoelenKwartet 3:41

Description

Thomas Adès: Arcadiana, Piano Quintet und The Four Quarters. Three key works show Adès’ chamber music between memory and a radically organised present. Arcadiana sketches lost idylls, the piano quintet concentrates a large single-movement form, and The Four Quarters transforms the course of the day as far as an imaginary twenty-fifth hour.

The booklet opens up the historical and aesthetic context of the programme. Works and arrangements are seen not in isolation but as part of a living history of performance and reception. This makes the decisions about scoring, instruments and order easy to follow.

DoelenKwartet, Dimitri Vassilakis shapes the music with clear voice leading, supple articulation and a pronounced feeling for tone colour. Lyrical passages keep their calm and breath, rhythmically pointed sections their energy. Even in dense textures, motifs, counter-voices and formal transitions remain transparent.

The scoring – String quartet, piano quintet – is an essential part of the statement. Resonance, registration, touch or bowing technique and the acoustics of each space all help to shape the dramaturgy. The production preserves these differences and makes both the finest gradations and the great dynamic arcs audible.

The album follows no mere chronology but a deliberately constructed logic of listening. Contrasts between periods, types of work and instrumental colours sharpen the profile of the individual pieces, while recurring gestures and related formal ideas hold them together. What emerges is a coherent portrait rather than a chance collection.

For connoisseurs, Thomas Adès: Streichquartette, Klavierquintett offers a wealth of detail in compositional technique, interpretation and sound. At the same time the way in remains direct: speaking motifs, characteristic rhythms and incisive colours lead through the programme. The booklet deepens this listening experience without anticipating it.

Artistic conception and recording technique thus interlock. The result documents not only repertoire but shows how historical knowledge, interpretative imagination and careful sound direction complement one another. It is precisely this combination that gives the production its unmistakable label profile.

Cybele 3D-261603