Cybele 350901 2002

16bit 44.1kHz Stereo Classical music Classical modernism Romantic music 1:09:52

To the description

Recital: Annette-Barbara Vogel

Contributors

Annette-Barbara VogelViolinistUlrich HofmannPianist

Composers

George Enescu · Johannes Brahms · Max Reger · Witold Lutoslawski

Short description

Recital with works for violin and piano by Enescu, Reger, Brahms and Lutosławski. Annette-Barbara Vogel and Ulrich Hofmann draw an arc from late-Romantic density to a rhythmically sharpened modernism. The recital shows Vogel’s stylistic versatility and joins great sonata writing to colourful, virtuoso character pieces. Annette-Barbara Vogel, Ulrich Hofmann. The recording joins a distinctive programme to precise interpretation and to a sound direction that renders instruments, articulation and spatial effect in fine gradation.

Details

Format
CD

Resolution
PCM 44,1 kHz / 16 Bit

Total playing time
69:52

Channels
Stereo

Scoring
Violin, piano, chamber music

Performers
Annette-Barbara Vogel, Ulrich Hofmann

Programme
Recital with works for violin and piano by Enescu, Reger, Brahms and Lutosławski

Specifications

Catalogue number
Cybele 350901
Year of release
2002
Genre
Classical music
Period
Classical modernism, Romantic music
Instrumentation
Chamber music, Piano, Violin
Label
Cybele Records
Barcode
809548005924
GTIN
4068992494371
Booklet (pages)
32

Track listing

13 tracks · 1:09:52

  1. 01 Sonate Nr. 2 in f-Moll Op. 6 für Violine und Klavier – Assez mouvementé Composer: George Enescu (1881-1955) Performers: Annette-Barbara Vogel, Ulrich Hofmann 7:24
  2. 02 Sonate Nr. 2 in f-Moll Op. 6 für Violine und Klavier – Tranquillement (attacca) Composer: George Enescu (1881-1955) Performers: Annette-Barbara Vogel, Ulrich Hofmann 6:53
  3. 03 Sonate Nr. 2 in f-Moll Op. 6 für Violine und Klavier – Vif Composer: George Enescu (1881-1955) Performers: Annette-Barbara Vogel, Ulrich Hofmann 7:32
  4. 04 Romanze in e-Moll Op. 87/2 für Violine und Klavier – Larghetto, nie schleppend Composer: Max Reger (1873-1916) Performers: Annette-Barbara Vogel, Ulrich Hofmann 10:32
  5. 05 Sonate in f-Moll Op. 120 Nr. 1 für Klarinette und Klavier (arr.) – Allegro appassionato Composer: Johannes Brahms (1833-1897) Performers: Annette-Barbara Vogel, Ulrich Hofmann 7:21
  6. 06 Sonate in f-Moll Op. 120 Nr. 1 für Klarinette und Klavier (arr.) – Andante un poco Adagio Composer: Johannes Brahms (1833-1897) Performers: Annette-Barbara Vogel, Ulrich Hofmann 4:43
  7. 07 Sonate in f-Moll Op. 120 Nr. 1 für Klarinette und Klavier (arr.) – Allegretto grazioso Composer: Johannes Brahms (1833-1897) Performers: Annette-Barbara Vogel, Ulrich Hofmann 3:58
  8. 08 Sonate in f-Moll Op. 120 Nr. 1 für Klarinette und Klavier (arr.) – Vivace Composer: Johannes Brahms (1833-1897) Performers: Annette-Barbara Vogel, Ulrich Hofmann 5:08
  9. 09 Partita (1984) für Violine und Klavier – Allegro giusto Composer: Witold Lutoslawski (1913-1994) Performers: Annette-Barbara Vogel, Ulrich Hofmann 4:28
  10. 10 Partita (1984) für Violine und Klavier – Ad libitum Composer: Witold Lutoslawski (1913-1994) Performers: Annette-Barbara Vogel, Ulrich Hofmann 1:02
  11. 11 Partita (1984) für Violine und Klavier – Largo Composer: Witold Lutoslawski (1913-1994) Performers: Annette-Barbara Vogel, Ulrich Hofmann 6:00
  12. 12 Partita (1984) für Violine und Klavier – Ad libitum Composer: Witold Lutoslawski (1913-1994) Performers: Annette-Barbara Vogel, Ulrich Hofmann 0:53
  13. 13 Partita (1984) für Violine und Klavier – Presto Composer: Witold Lutoslawski (1913-1994) Performers: Annette-Barbara Vogel, Ulrich Hofmann 3:58

Description

Recital with works for violin and piano by Enescu, Reger, Brahms and Lutosławski. Annette-Barbara Vogel and Ulrich Hofmann draw an arc from late-Romantic density to a rhythmically sharpened modernism. The recital shows Vogel’s stylistic versatility and joins great sonata writing to colourful, virtuoso character pieces.

The booklet opens up the historical and aesthetic context of the programme. Works and arrangements are seen not in isolation but as part of a living history of performance and reception. This makes the decisions about scoring, instruments and order easy to follow.

Annette-Barbara Vogel, Ulrich Hofmann shapes the music with clear voice leading, supple articulation and a pronounced feeling for tone colour. Lyrical passages keep their calm and breath, rhythmically pointed sections their energy. Even in dense textures, motifs, counter-voices and formal transitions remain transparent.

The scoring – Violin, piano, chamber music – is an essential part of the statement. Resonance, registration, touch or bowing technique and the acoustics of each space all help to shape the dramaturgy. The production preserves these differences and makes both the finest gradations and the great dynamic arcs audible.

The album follows no mere chronology but a deliberately constructed logic of listening. Contrasts between periods, types of work and instrumental colours sharpen the profile of the individual pieces, while recurring gestures and related formal ideas hold them together. What emerges is a coherent portrait rather than a chance collection.

For connoisseurs, Recital: Annette-Barbara Vogel offers a wealth of detail in compositional technique, interpretation and sound. At the same time the way in remains direct: speaking motifs, characteristic rhythms and incisive colours lead through the programme. The booklet deepens this listening experience without anticipating it.

Artistic conception and recording technique thus interlock. The result documents not only repertoire but shows how historical knowledge, interpretative imagination and careful sound direction complement one another. It is precisely this combination that gives the production its unmistakable label profile.