Cybele 300101 1995

16bit 44.1kHz Stereo New music Classical modernism Classical music Contemporary music 1:11:53

To the description

Changeant

Contributors

Jean HalsdorfCellist / Conductor / ComposerMichael Hänschke

Composers

Bernd Hänschke · Dimitri Schostakowitsch · Ludwig van Beethoven

Short description

„Changeant“ – cello sonatas and chamber music by Beethoven, Shostakovich and Bernd Hänschke. Jean Halsdorf and Michael Hänschke bring Beethoven and Shostakovich together with contemporary music. Shifting perspectives on sonata form, dialogue and instrumental colour give the album its title; assured playing meets stylistic curiosity. Jean Halsdorf, Michael Hänschke. The recording joins a distinctive programme to precise interpretation and to a sound direction that renders instruments, articulation and spatial effect in fine gradation.

Details

Format
CD

Resolution
PCM 44,1 kHz / 16 Bit

Total playing time
71:53

Channels
Stereo

Scoring
Cello, piano, chamber music

Performers
Jean Halsdorf, Michael Hänschke

Programme
„Changeant“ – cello sonatas and chamber music by Beethoven, Shostakovich and Bernd Hänschke

Specifications

Catalogue number
Cybele 300101
Year of release
1995
Genre
New music
Period
Classical modernism, Classical music, Contemporary music
Instrumentation
Chamber music, Piano, Cello
Label
Cybele Records
Barcode
809548000523
GTIN
4068992494340
Booklet (pages)
16

Track listing

7 tracks · 1:11:53

  1. 01 Sonate in d-Moll Op. 40 (1934) für Violoncello und Klavier – Allegro non troppo, Largo Composer: Dmitri Schostakowitsch (1906-1975) Performers: Jean Halsdorf, Michael Hänschke 12:40
  2. 02 Sonate in d-Moll Op. 40 (1934) für Violoncello und Klavier – Allegro Composer: Dmitri Schostakowitsch (1906-1975) Performers: Jean Halsdorf, Michael Hänschke 3:17
  3. 03 Sonate in d-Moll Op. 40 (1934) für Violoncello und Klavier – Largo Composer: Dmitri Schostakowitsch (1906-1975) Performers: Jean Halsdorf, Michael Hänschke 8:45
  4. 04 Sonate in d-Moll Op. 40 (1934) für Violoncello und Klavier – Allegro Composer: Dmitri Schostakowitsch (1906-1975) Performers: Jean Halsdorf, Michael Hänschke 4:22
  5. 05 Changeant II (1993) für Violoncello und Klavier Composer: Bernd Hänschke (1948-) Performers: Jean Halsdorf, Michael Hänschke 13:11
  6. 06 Sonate in g-Moll Op. 5 Nr. 2 (1796) für Klavier und Violoncello – Adagio sostenuto ed espressivo, Allegro molto più tosto presto Composer: Ludwig van Beethoven (1770-1827) Performers: Jean Halsdorf, Michael Hänschke 20:21
  7. 07 Sonate in g-Moll Op. 5 Nr. 2 (1796) für Klavier und Violoncello – Rondo. Allegro Composer: Ludwig van Beethoven (1770-1827) Performers: Jean Halsdorf, Michael Hänschke 9:17

Description

„Changeant“ – cello sonatas and chamber music by Beethoven, Shostakovich and Bernd Hänschke. Jean Halsdorf and Michael Hänschke bring Beethoven and Shostakovich together with contemporary music. Shifting perspectives on sonata form, dialogue and instrumental colour give the album its title; assured playing meets stylistic curiosity.

The booklet opens up the historical and aesthetic context of the programme. Works and arrangements are seen not in isolation but as part of a living history of performance and reception. This makes the decisions about scoring, instruments and order easy to follow.

Jean Halsdorf, Michael Hänschke shapes the music with clear voice leading, supple articulation and a pronounced feeling for tone colour. Lyrical passages keep their calm and breath, rhythmically pointed sections their energy. Even in dense textures, motifs, counter-voices and formal transitions remain transparent.

The scoring – Cello, piano, chamber music – is an essential part of the statement. Resonance, registration, touch or bowing technique and the acoustics of each space all help to shape the dramaturgy. The production preserves these differences and makes both the finest gradations and the great dynamic arcs audible.

The album follows no mere chronology but a deliberately constructed logic of listening. Contrasts between periods, types of work and instrumental colours sharpen the profile of the individual pieces, while recurring gestures and related formal ideas hold them together. What emerges is a coherent portrait rather than a chance collection.

For connoisseurs, Changeant offers a wealth of detail in compositional technique, interpretation and sound. At the same time the way in remains direct: speaking motifs, characteristic rhythms and incisive colours lead through the programme. The booklet deepens this listening experience without anticipating it.

Artistic conception and recording technique thus interlock. The result documents not only repertoire but shows how historical knowledge, interpretative imagination and careful sound direction complement one another. It is precisely this combination that gives the production its unmistakable label profile.