Cybele 260801 2005

5.1 surround DSD Stereo New music Contemporary music 1:04:27

To the description

New Dutch Guitar Music

Contributors

Diangelo CiciliaGuitarist

Composers

Florian Magnus Maier · Frank Crijns · Jo Sporck · Luciano Berio · Paul Goodman

Short description

New Dutch Guitar Music – works by Sporck, Crijns, Maier, Goodman and Berio. Diangelo Cicilia presents Dutch guitar music that combines acoustic and amplified instruments, stereo delay and spatial layering. Berio’s Sequenza XI is the virtuoso point of reference; in the surround field echo, shadow and imaginary ensemble playing become directly tangible. Diangelo Cicilia. The recording joins a distinctive programme to precise interpretation and to a sound direction that renders instruments, articulation and spatial effect in fine gradation.

Details

Format
Hybrid-SACD

Resolution
DSD64 / 2.8224 MHz 1 bit

Total playing time
64:30

Channels
Stereo, 5.1 Surround

Scoring
Guitar, electric guitar, live electronics

Performers
Diangelo Cicilia

Programme
New Dutch Guitar Music – works by Sporck, Crijns, Maier, Goodman and Berio

Press reviews

SA-CD.net, 7/2006

ClassicsToday.com, 10/2006

Specifications

Catalogue number
Cybele 260801
Year of release
2005
Genre
New music
Period
Contemporary music
Instrumentation
Electric guitar, Guitar, Live electronics
Label
Cybele Records
Barcode
809548009823
GTIN
4068992490663
Booklet (pages)
28

Track listing

6 tracks · 1:04:27

  1. 01 The sandman (2000) for guitar and tape Composer: Jo Sporck (1953-) Performer: Diangelo Cicilia 9:55
  2. 02 Raam # 2 (1999) Composer: Frank Crijns (1960-) Performer: Diangelo Cicilia 7:58
  3. 03 Crystal Vermin (1999) for amplified classical guitar Composer: Florian Magnus Maier (1973-) Performer: Diangelo Cicilia 10:01
  4. 04 Call (2004) Composer: Paul Goodman (1955-) Performer: Diangelo Cicilia 10:56
  5. 05 Toccata (2002) for amplified classical guitar and delay Composer: Florian Magnus Maier (1973-) Performer: Diangelo Cicilia 7:45
  6. 06 Sequenza XI (1987-88) Composer: Luciano Berio (1925-2003) Performer: Diangelo Cicilia 17:52

Description

New Dutch Guitar Music – works by Sporck, Crijns, Maier, Goodman and Berio. Diangelo Cicilia presents Dutch guitar music that combines acoustic and amplified instruments, stereo delay and spatial layering. Berio’s Sequenza XI is the virtuoso point of reference; in the surround field echo, shadow and imaginary ensemble playing become directly tangible.

The booklet opens up the historical and aesthetic context of the programme. Works and arrangements are seen not in isolation but as part of a living history of performance and reception. This makes the decisions about scoring, instruments and order easy to follow.

Diangelo Cicilia shapes the music with clear voice leading, supple articulation and a pronounced feeling for tone colour. Lyrical passages keep their calm and breath, rhythmically pointed sections their energy. Even in dense textures, motifs, counter-voices and formal transitions remain transparent.

The scoring – Guitar, electric guitar, live electronics – is an essential part of the statement. Resonance, registration, touch or bowing technique and the acoustics of each space all help to shape the dramaturgy. The production preserves these differences and makes both the finest gradations and the great dynamic arcs audible.

The album follows no mere chronology but a deliberately constructed logic of listening. Contrasts between periods, types of work and instrumental colours sharpen the profile of the individual pieces, while recurring gestures and related formal ideas hold them together. What emerges is a coherent portrait rather than a chance collection.

For connoisseurs, New Dutch Guitar Music offers a wealth of detail in compositional technique, interpretation and sound. At the same time the way in remains direct: speaking motifs, characteristic rhythms and incisive colours lead through the programme. The booklet deepens this listening experience without anticipating it.

Artistic conception and recording technique thus interlock. The result documents not only repertoire but shows how historical knowledge, interpretative imagination and careful sound direction complement one another. It is precisely this combination that gives the production its unmistakable label profile.