Cybele 260501 1998

16bit 44.1kHz Stereo New music Classical modernism Contemporary music 1:15:18

To the description

without compression

Contributors

Trio DirittoJeremias SchwarzerRecorder playerMartin HublowInes RasbachRecorder player

Composers

Anatol Vieru · Georg Kröll · Malcolm Goldstein · Myriam Marbe · Rolf Riehm · Stefan Thomas · Violeta Dinescu

Streaming & download

Short description

The Trio Diritto presents the recorder in seven works of new music. Riehm, Marbe, Vieru, Dinescu, Kroll, Stefan Thomas and Goldstein unfold a spectrum of differentiated ensemble sounds with three recorders.

Details

Format
CD

Specifications

Catalogue number
Cybele 260501
Year of release
1998
Genre
New music
Period
Classical modernism, Contemporary music
Instrumentation
Recorder trio, Chamber music
Label
Cybele Records
Barcode
809548002824
Booklet (pages)
32

Track listing

7 tracks · 1:15:18

  1. 01 Without Compression (1997) Composer: Rolf Riehm (1937-) Performers: Trio Diritto – Jeremias Schwarzer, Martin Hublow, Ines Rasbach 12:28
  2. 02 Renaissance (1997) Composer: Myriam Marbe (1931-1997) Performers: Trio Diritto – Jeremias Schwarzer, Martin Hublow, Ines Rasbach 10:39
  3. 03 Et in Arcadia Ego (1996) Composer: Anatol Vieru (1926-) Performers: Trio Diritto – Jeremias Schwarzer, Martin Hublow, Ines Rasbach 9:17
  4. 04 au coeur du silence … (1995) Composer: Violeta Dinescu (1953-) Performers: Trio Diritto – Jeremias Schwarzer, Martin Hublow, Ines Rasbach 9:11
  5. 05 Round of Talks (1994) Composer: Georg Kröll (1934-) Performers: Trio Diritto – Jeremias Schwarzer, Martin Hublow, Ines Rasbach 4:58
  6. 06 Veränderungen (1993) Composer: Stefan Thomas (1968-) Performers: Trio Diritto – Jeremias Schwarzer, Martin Hublow, Ines Rasbach 6:10
  7. 07 in the beginning … so also, the end (1997) Composer: Malcolm Goldstein (1936-) Performers: Trio Diritto – Jeremias Schwarzer, Martin Hublow, Ines Rasbach 22:35

Description

without compression – Neue Musik für Blockflöten brings together seven works from 1993 to 1997. Rolf Riehm, Myriam Marbe, Anatol Vieru, Violeta Dinescu, Georg Kroll, Stefan Thomas and Malcolm Goldstein show the recorder in highly different compositional contexts.

Jeremias Schwarzer, Martin Hublow and Ines Rasbach shape the works as a polyphonic ensemble sound. The three instruments do not appear as a uniform block, but assume changing roles, respond to one another and form ever-new constellations.

Rolf Riehm’s title work without compression is written for three electronically amplified recorders. It opens a sequence that consistently leads this familiar instrument into the realm of contemporary music.